Clarke (1957), Clarke's pre-history of satellite technology, first published before Sputnik The Making of a Moon: The Story of the Earth Satellite Program, Arthur C. Clarke (1992), Clarke's overview of the impact of communication technology on society How the World Was One: Beyond the Global Village, Arthur C. 1945, Scans of Clarke's articles proposing the geostationary satellite Clarke and the Battle for Narrative Space in the Popular Culture of Spaceflight, 1945-1995, David Skogerboe, full master's thesisĪpollo 12: Why Don't You Know Me? You Should., David Skogerboe, NASA News & Notes During his masters, he interned at the NASA History Division in Washington DC, where he spent countless hours perusing the most interesting historical reference collections on the planet. He is presently a freelance writer and editor while he awaits the emergence of his first child, and he hopes to soon begin a PhD and a fruitful career as a professional nerd. He recently earned his MSc in the History and Philosophy of Science from Utrecht University in the Netherlands, where he focused his research on the intersection of space science, science fiction, and science communication. Guest Bio:ĭavid Skogerboe is a space historian and science communicator. The Wow! Signal is released under the Creative Commons Attribution/Share-Alike license.Ĭo hosts Paul Carr and Daniela De Paulis welcome space historian David Skogerboe to talk about the pro-space activism of Arthur C. Music: Sun Ra and his Intergalactic Solar Arkestra, DJ Spooky Natural Selection of Stellar Civilizations by the Limits of GrowthĬo-hosts: Paul Carr and Daniela De Paulis Links:įrank Drakę: A Speculation on the Influence of Biological Immortality on SETI My goal is to reveal how contemporary research into global risks can be seen as part of the wider story of our ‘coming of age’ as a civilisation and a species. I see this as the central philosophical drama of the modern world: how we came to appreciate our position-and precarity-as intelligent beings within an otherwise seemingly silent and sterile universe. I am interested in the history of existential risk and of existential hope: that is, how people first came to understand the perils and promises that face us as a species. Benet's College, Oxford University, and I am working for Oxford's Future of Humanity Institute with a grant from the Berkeley Existential Risk Initiative. Currently, I am a visiting Research Associate in History at St. In 2019, I completed a PhD at Oriel College on the history of human extinction. I am a writer and researcher from the UK. The subject is the idea of human extinction and how it evolved into our present day understand of Existential Risk. The ensemble by no means plays music for the masses, but for all those who want to be captivated by hypnotic riffs and sink into soundscapes for minutes.Co-hosts Paul Carr and Daniela DePaulis are joined by author Thomas Moynihan. Stylistically «The Alien WOW! Signal» can be classified somewhere between post metal/rock, doom and soundscapes. Exactly this energy and dynamic created at that very moment is clearly noticeable on the debut album of the Bernese trio. The self-titled debut of «The Alien WOW! Signal» was mainly recorded live in the old manner: no click track, no endless editing - nothing more than three musicians who know, how to play their instruments. Stilistisch sind «The Alien WOW! Signal» irgendwo zwischen Post-Metal/Rock, Doom und Soundscapes einzuordnen.ĭie Combo spielt beileibe keine Musik für die Massen, sondern für all jene, die sich von hypnotischen Riffs fesseln lassen und minutenlang in Klanglandschaften versinken möchten. Genau diese im Moment erschaffene Energie und Dynamik ist auf der Debüt-Langrille des Berner Trios deutlich spürbar. The Alien WOW! Signal: «It’s not music for the masses»ĭas selbstbetitelte Debüt von «The Alien WOW! Signal» wurde nach alter Manier hauptsächlich live eingespielt: kein Click-Track, kein endloses Editieren - nichts weiter als eine Band, die ihre Instrumente beherrscht.
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